Hi! I’m Ruymán Martín, the music producer behind Dakota Pulse Estudio. It’s a real pleasure to have you here looking for information about my musical corner. I’d like to tell you some details about my career as a producer so you can understand my work and the idea that gives life to the Recording Studio.
I am very fortunate to have reached artists and listeners all over the world, something that has cost me a lifetime of effort full of comings and goings. But now I also find the need to answer a question that will probably serve to put this adventure in order. And that question is: where do I place Kilometer 0? It’s difficult not to be presumptuous with so much going on in my professional career, but I’ll tell you:
There have always been many musical ideas in my mind, but it was at the age of 8 when I started studying piano, and this gave me for the first time the possibility to learn to compose by exploring notes, scales and chords. Later I studied guitar and bass with the idea of improving my technique and composing possibilities. At the same time, I studied Music Sciences at the University of Oviedo, and later I did my Doctoral Thesis at the Polytechnic University of Valencia (Music Research in the program “Art: Production and Research”). I am currently a Doctor in Music Sciences at the UPV. While doing my PhD, I also studied Music Production and Sound Engineering specialized in Ableton, at the prestigious Yamaha Academy in Valencia.
Since I arrived in Valencia, I have dedicated myself to work in different groups and orchestras, and I have been lucky enough to play in very important temples of music such as La Rambleta or Palau de la Música. I have also accompanied live great artists like Marina Damer (La voz 2019), Sandra Polop (OT 2005) and Fran Dieli (OT 2005), produced for some like Noa Perseidas (Got Talent 2019 – La voz 2021) and JVEL (Benidorm Fest 2023), and played alongside stage greats like Miguel Giner (Revolver).
As a researcher, at an informative level, I publish a new chapter every week in my Blog about urban music (which already has more than 5. 000 monthly visits), but on a strictly scientific level I have published articles in international research journals on arts such as the Puerto Rican Escena (Atonalismo y dodecafonismo en la gran pantalla: sus usos dentro del medio cinematográfico a partir de la película The Mephisto Waltz) or the Sevillian Comunicación: Revista Internacional de Comunicación Audiovisual, Publicidad y Estudios Culturales (Hollywood y Viena: funciones y connotaciones del atonalismo en el cine y la ópera). I have also written papers for international conferences such as the 3rd Interdisciplinary And Virtual Conference On Arts In Education (La tímbrica como narratividad musical; un estudio sobre la ópera de la Segunda Escuela de Viena y el cine de la Segunda mitad del SXX).
As a researcher, I publish a new chapter every week in my blog on the market and urban music, but in the strictly scientific field I have published articles in international research journals on the arts such as the Puerto Rican Escena or the Sevillian Comunicación: Revista Internacional de Comunicación Audiovisual, Publicidad y Estudios Culturales.
As for music production, I have composed and recorded beats for artists of great trajectory as Subze, Spanish rap galactic who accumulates about 100 million views on his Youtube music channel and who listens to almost 200,000 people every month on Spotify. This ‘Mc’ has performed at no less than the ‘Coca-cola Music Experience’ 2022 Festival alongside authentic stars such as Grammy nominee Manuel Turizo. Continuing with Spotify, I have also sounded in important playlists with some artists with whom I work, as in “Parriba”, eighty-five thousand monthly listeners, and in which looks my song “Fuego Lento” with Andrés Dianes, accompanying the talent of great Hispanic artists such as Macaco, Chambao, SFDK and Bomba Estéreo.
Within the Latin scene, in 2025 I did the mixing and mastering of the collaboration of Químico Ultra Mega with the Spanish singer Cavano, a ballad type song to which I fixed the sound and gave the quality demanded by the radio media so that it could be presented. This rapper (Químico Ultra Mega) is one of the most notorious of the whole scene, with more than 600 million plays on his videoclips and 3 million followers on Youtube, in addition to collaborations with hiphop greats like El Jincho or Bryant Myers.
But this is not the end of the Youtube journey. Within this world, Doctorepollo is a talent followed by almost 2.5 million people, for whom I produced the song “De cara no pueden”, published on his Facebook account in 2021, interpreted with the bars of the Cantabrian rapper Plaf.
I have also had the opportunity to compose for great groups such as La fúmiga, a formation recognized throughout the Mediterranean for having played at the ‘Viña Rock’ in 2019 (specifically I composed the arrangements of the song L’orquestra del Titànic within their album Fotosíntesi, which in November 2021 entered the top best-selling albums in Spain).
On the other hand, some of the several albums I have produced along my career have received great reviews in digital newspapers such as Diario24.es or Sevilladisonante. The most important thing is my work with jazz singer Ivo Blanek (the album Breathe, in which -together with him as songwriter- I was nominated for the best record production in the MIN Awards, the official gala that rewards the best emerging national artists and in which have participated beasts like Zahara, Tanxugueiras, Rigoberta Bandini…).
Beyond Spain and Latin America, I have composed instrumentals for artists in television programs of the stature of Eurovision (the song Breathe in by Justina Žukauskaitė in the Lithuanian pre-selection).
And after this journey, today.
Today I live entirely thanks to music production and composition, my biggest dream since I was a child. But of course, to fulfill it, I need to fulfill the dream of so many others: to make good music hand in hand with an artist who gives his all in each work. So I definitely need more passengers to continue with this journey. Will you get on board? Let’s talk!