Today I would like to clarify a series of problems that I have observed working in the niche of music recording studios, and it is an issue that especially affects independent artists or beginners who have no technical knowledge in music production and mastering, so sometimes they can turn to people who have fraudulent businesses.:
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Mixing: better to be done by the music producer or another sound engineer?
You’ve probably ended up here looking for information about mixing or mastering. Well, without keeping you waiting, I’ll explain to you what exactly mixing is.:
Being a musician and living off streaming royalties in the 21st century (brief, for beginners)
Today I bring you a ultra-quick blog post in which I put the turbo so that you understand everything you need to know in this copyright jungle we have in the music industry, so that your level of survival in music is comparable to that of Frank Cuesta in the Amazon jungle.
I’m worried about the state of urban music
As you could read in the blog Lithium Hearts, the themes of urban music have shifted since the mid-2010s to aspects such as superficiality, technology, transhumanism, the mafia, money and empty consumerism. In that blog I am much more rationally strict than here, and I comment almost more as a music populariser/scientist on the way art reflects society’s demands in terms of canons, lifestyles and collective ideology in general..